I caught up with Holderman and Simms—a delightful pair of simpatico collaborators tasked with crafting an audience-pleasing commercial entertainment befitting a cast of movie royalty—for a chat about their ambitious new picture.…
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Book Club: The Next Chapter, the follow-up to the popular 2018 romantic comedy that defied ageist Hollywood marketing logic to become a $100 million moneymaker, is a fizzy, funny and frequently wistful comedy featuring a movie royalty quartet looking great and having fun in…
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Romanian filmmaker Cristian Mungiu specializes in hard hitting cultural excoriations that have made him a foremost international voice in both social realism and social critique. His masterful, 2007 Cannes-winning breakout suspenser 4 Months, 3 Weeks and 2 Days examined the perils faced by a…
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The first thing to know about Benjamin Millipied’s blazing new Carmen is that it’s a liberal derivation of Bizet’s 1875 masterwork of jealousy, obsession and death. Once Bizet traditionalists depart from expectation, Millipied’s update, which reimagines Bizet’s titular Spanish opera icon though a modern…
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There have been five Evil Dead films in the forty-two years since Sam Raimi’s deliriously unhinged 1983 cabin-in-the-woods demonic possession flick became an instant classic of gore and triumph of tone and craft, a shoestring horror outing made by friends that went on to…
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In their new picture Hilma, Lena Olin and Tora Hallström play cross-generational versions of pioneering Swedish abstract artist and mystic Hilma af Klint, a quintessential woman out of time whose groundbreaking works were dismissed by the early 20th century patriarchal artistic establishment. A modern,…
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Filmmaker Kelly Reichardt—whose three-decade career as an independent filmmaker specializing in spare, minimalist excursions—is an artist freed from American commercial sensibilities; a nonconformist favoring nuance over plot and ambiguity over resolution. In pictures like Wendy and Lucy, about a young homeless woman searching for…
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Kelly Reichardt’s quietly appealing consideration of the life—and life’s work—of an independent artist forms the basis of her new picture, Showing Up, featuring a lovely performance from Michelle Williams as a sculptress navigating the day-to-day while preparing for a gallery opening of her latest…
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Two-time Cannes winning Belgian filmmaking brothers Jean-Pierre and Luc Dardenne are firmly renowned, with legendary predecessor Ken Loach, as international cinema’s foremost chroniclers of social realist hard knocks. Their pictures—frequently about hardscrabble disenfranchisement, ethical quandaries in the face of limited options and social hierarchies…
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As a commercial entertainment, Ben Affleck’s Air, charting Nike’s quest to sign rookie-on-the-rise Michael Jordan as its brand ambassador, is polished, serviceably entertaining and, on occasion, better. Whether its story, about how the former market laggard created the axis-shifting Air Jordan, is as substantial as…
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