If a horror movie scares you, swell. If not, no sale. And last year, Osgood Perkins’ Longlegs, about a heartland satanist spree killer, was an A24 marketing success (“Scariest Movie Ever!”) and a shivery chiller courtesy of an all-in Nicolas Cage as its titular…
If a horror movie scares you, swell. If not, no sale. And last year, Osgood Perkins’ Longlegs, about a heartland satanist spree killer, was an A24 marketing success (“Scariest Movie Ever!”) and a shivery chiller courtesy of an all-in Nicolas Cage as its titular…
Read More
Whether scrappy indie (Terrifier, Late Night with the Devil, Strange Darling), studio gloss (A Quiet Place: Day One) or awards prestige (The Substance, Noseratu), horror films almost always bank tremendous profits. Last year alone they bludgeoned near a billion dollars from moviegoers with a…
Read More
Mike Leigh’s Hard Truths reunites the legendary British auteur with actress Marianne Jean-Baptiste, who received an Oscar nod for his searing 1996 drama Secrets and Lies, in which she played the accomplished adult daughter of a downtrodden mother who gave her up at birth. That mother, indelibly…
Read More
The opening sections of Walter Salles’ I’m Still Here, the real-life story of a Brazilian family torn apart by political persecution circa 1971, depict a tight-knit community of parents, children and friends suspended in a fleeting idyll, one to be tragically frozen in photographs,…
Read More
One of Them Days, a raucous comedy powered by a pair of exuberant performances, is a female buddy picture that gets significant comic mileage from the pairing of stars Keke Palmer and musician SZA as L.A. besties and roommates on a slapstick odyssey to…
Read More
In The Last Showgirl, Pamela Anderson has what feels like a late-career renewal, even if the character she plays—a Las Vegas career showgirl in a fading spotlight—sees her own options begin to dim. You can feel Anderson, in this modest character study, really showing…
Read More
Perhaps the most fascinating aspect of Brady Corbet’s remarkable The Brutalist—a sprawling, 3.5-hour immigrant epic spanning decades and continents—is its intimacy, despite its determined scale. Structured in two acts with a “built-in” fifteen-minute intermission, the film impresses in ambition and reach while maintaining an…
Read More
A recent UCLA survey of Gen Z moviegoers revealed a distaste for nudity and sex on screen, a u-turn from the boundary-pushing films young audiences lined up for after the Hays Code’s fall in the late 1960s, like the X-rated Oscar winner Midnight Cowboy and frank…
Read More
Robert Eggers’ Nosferatu is a masterclass in building movie atmosphere from one of contemporary American cinema’s most distinctive young auteurs. With just four films, Eggers has carved out a signature as an exacting writer-director with a personal stamp, blending meticulous attention to folklore and…
Read More
You have to hand it to Luca Guadagnino, who this year delivered a one-two punch in the sensual pro-tennis roundelay Challengers and now the equally sexy, dreamlike Queer, his new adaptation of William S. Burroughs’ partially autobiographical 1985 novel (first written in 1952) of…
Read More