The first thing to know about Benjamin Millipied’s blazing new Carmen is that it’s a liberal derivation of Bizet’s 1875 masterwork of jealousy, obsession and death. Once Bizet traditionalists depart from expectation, Millipied’s update, which reimagines Bizet’s titular Spanish opera icon though a modern…
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There have been five Evil Dead films in the forty-two years since Sam Raimi’s deliriously unhinged 1983 cabin-in-the-woods demonic possession flick became an instant classic of gore and triumph of tone and craft, a shoestring horror outing made by friends that went on to…
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In their new picture Hilma, Lena Olin and Tora Hallström play cross-generational versions of pioneering Swedish abstract artist and mystic Hilma af Klint, a quintessential woman out of time whose groundbreaking works were dismissed by the early 20th century patriarchal artistic establishment. A modern,…
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Filmmaker Kelly Reichardt—whose three-decade career as an independent filmmaker specializing in spare, minimalist excursions—is an artist freed from American commercial sensibilities; a nonconformist favoring nuance over plot and ambiguity over resolution. In pictures like Wendy and Lucy, about a young homeless woman searching for…
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Kelly Reichardt’s quietly appealing consideration of the life—and life’s work—of an independent artist forms the basis of her new picture, Showing Up, featuring a lovely performance from Michelle Williams as a sculptress navigating the day-to-day while preparing for a gallery opening of her latest…
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Two-time Cannes winning Belgian filmmaking brothers Jean-Pierre and Luc Dardenne are firmly renowned, with legendary predecessor Ken Loach, as international cinema’s foremost chroniclers of social realist hard knocks. Their pictures—frequently about hardscrabble disenfranchisement, ethical quandaries in the face of limited options and social hierarchies…
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As a commercial entertainment, Ben Affleck’s Air, charting Nike’s quest to sign rookie-on-the-rise Michael Jordan as its brand ambassador, is polished, serviceably entertaining and, on occasion, better. Whether its story, about how the former market laggard created the axis-shifting Air Jordan, is as substantial as…
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Art and culture take their time essaying perspectives on the past—if the 70s offered a revival of 50s nostalgia (perhaps because the social unrest of the 60s left some longing for the “innocence” of an earlier era), the 80s were a conservative rebuff to…
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A mother and son forge a life in Harlem amidst an ever-changing city in the gritty, moving Sundance Grand Jury Prize winner A Thousand and One, a movie about strugglers, strivers, hard won family love and the spoils of urban gentrification. It is also…
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As a document of a successful artistic union between director and muse, Zach Braff’s A Good Person is an ode to a luminous movie star who has clearly fascinated the talented writer-director, and one who fascinates us. That star is the estimable Florence Pugh—a hot…
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