Todd Haynes’ May December, about an actress researching a notorious marriage in hopes of delivering an “honest” onscreen portrait, is mired with half-formed characters and little insight into either the artistic process or its sensational subject matter. Haynes, the visionary indie filmmaker who graduated from…
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The Holdovers, Alexander Payne’s wry, heartfelt new picture starring Paul Giamatti as an irascible New England boarding school instructor supervising a left behind student over Christmas break in 1970, is as much a loving nod to an era as a tale of a teacher…
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In the arresting All Dirt Roads Taste of Salt, a fictional memoir rendered in non-linear structure and rooted in emotion, confident first-time feature filmmaker Raven Jackson conveys the poetic lyricism of Terrence Malick by way of the minutely observant Kelly Reichardt. Thirty-three-year-old Tennessee native…
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Sofia Coppola’s Priscilla, about the domestic entrapment felt by a young Priscilla Beaulieu (and later the married Priscilla Presley) during her fourteen formative years with Elvis, offers few new insights in attempting to illuminate a complex and very public relationship. As written by producer-director…
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Just in time for Halloween comes Argentine shocker When Evil Lurks, a nastily blunt and mostly effective picture deploying an escalating series of demonic possessions as a metaphor for contagion, community distrust and questionable parenting. Modestly scaled yet pungently atmospheric, it has enough tension…
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Stick to the plan. Anticipate, don’t improvise. Trust no one: Words to live by and a mantra for a best in the business assassin whose carefully constructed world crashes down after a botched hit in David Fincher’s superbly constructed thriller The Killer. Played with…
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In the 206-minute opus that is Martin Scorsese’s Killers of the Flower Moon, the octogenarian maestro returns, exacting as ever, to his enduring six-decade career of thematically rich and technically complex canvases. In a picture about whether love and avarice can ever coexist, Scorsese…
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The Exorcist: Believer takes an earnest shot at updating a shopworn franchise that has not been good in a half-century. While it has a few things going for it, none of them, unfortunately, are in the horror department. The film is competently made with solid…
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Almodovar’s Strange Way of Life, a florid, 31-minute homage to spaghetti westerns wrapped up in an unabashedly sensuous bow, is both a genre tribute and mash-up delivered in high style and, courtesy of stars Pedro Pascal and Ethan Hawke, a romantic confection that leaves…
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I ventured into Saw X armed with only the faintest recollections of its inaugural 2004 original, which saw the light of day almost two decades ago at a time when the American horror film arena indulged in notions of “torture porn”—a subgenre in which…
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