For awhile, the supernatural thriller The Possession of Michael King, about an atheist documentarian and grieving widower who turns to the supernatural for answers, delivers the goods—ingenious concept, strong acting, palpable atmosphere and some genuine scares. And while there’s nothing quite new in David…
Read More
There’s one thing to recommend—or maybe two—in Robert Rodriguez and Frank Miller’s tediously stylized mayhem opus Sin City: A Dame to Kill For, and that’s a delicious Eva Green as a scheming femme fatale who leads several men to doom. Green, who similarly elevated…
Read More
Great films always divide viewers, and I Origins, and Mike Cahill’s superbly thought-provoking examination of skepticism, belief, science, religion, true love and the existence of the soul, will be no exception. As his second picture, following 2011’s notable Another Earth, I Origins reveals Cahill’s…
Read More
A picture as intelligent and sophisticated as the offbeat new drama I Origins is a rarity in American movies, but given that this one was written and directed by Mike Cahill, who gave us 2011’s similarly thoughtful Another Earth, it’s no surprise. But his…
Read More
Gabriel Iglesias just may be the first celeb I’ve seriously drank with, if you can count knocking back a couple in a suite at Chicago’s James Hotel, ground zero for the star’s junket to promote this weekend’s opener and Iglesias’ stand-up concert film, The…
Read More
Paul Haggis, the Oscar-winning writer and director who penned Million Dollar Baby and directed his own screenplay for Crash (movies that won consecutive Best Picture Oscars in 2005 and 2006), has maintained a lower profile in the last few years. And while his success…
Read More
A tale told with sound and fury signifying perhaps the best big-budget sci-fi action movie since Avatar, director Doug Liman’s Edge of Tomorrow is proof positive that a summer superthriller needn’t be mindless, this one so innovative in its storytelling and satisfying in its…
Read More
It’s been some time since I’ve felt overwhelmed by a movie, or maybe just a character. Perhaps even longer since I fell in love with one. That happened a few days ago, and I think I still have butterflies. In the unabashedly tear-inducing movie…
Read More
The main reason to see Maleficent, the new revisionist take on Sleeping Beauty featuring heavy doses of girl power and even more CGI, is its most special effect, a silky smooth performance by Angelina Jolie as the titular, anti-heroic villainess in spite of herself. Heretofore…
Read More
