Ain’t Them Bodies Saints

An atmospheric failure, the criminal lovers saga Ain’t Them Bodies Saints is a dramatically inert picture, and while director David Lowery works his camera overtime, the characters and story largely fail to engage, stilted under the weight of a solemn tone and overly mannered…

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Elysium

Sci-fi thriller Elysium thinks it’s a piquant social allegory about the undocumented population and fight for universal healthcare. But Neil Blomkamp’s sophomore outing (after 2009’s surprise critical hit District 9) is really just an empty B-movie actioner that has more in common with clunky,…

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The Spectacular Now

The Spectacular Now is a remarkably sensitive teen movie, not exactly an oxymoron in American film but rare enough to take notice. Like last year’s The Perks of Being a Wallflower, here is a movie about teenagers that honestly acknowledges and deals with the…

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We’re the Millers

As bad taste family road movies go, you could probably do worse (and certainly better) than We’re the Millers, a crude gag machine about a thirty-something Denver drug dealer who appropriates a fake cover family to cross the Mexican border and transport a payload…

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The Wolverine

While a marked improvement over 2009’s forgettable X-Men Origins: Wolverine, Hugh Jackman’s latest outing—his 6th as the snarling, talon-fingered mutant Logan—is a middling picture, welcomely understated as summer action pictures go. But that doesn’t exactly make it good. Directed by James Mangold, the expert…

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The Conjuring

James Wan’s splendidly creepy, first-class haunted house picture The Conjuring is a welcome throwback to a genre all but forgotten by Hollywood’s labored, modern CGI thrillers.  Featuring expert craftsmanship that makes superlative use of light, darkness, sound and production design, The Conjuring is a high-order…

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World War Z

There’s nothing new in World War Z, the reportedly troubled movie adaptation of Max Brooks’ zombie apocalypse novel, transformed here into a rousing action picture that plays like a mash up of 28 Days Later and Contagion.  Yet capably directed by Marc Forster and…

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Man of Steel

Richard Donner can relax. Charmless, soulless and assaultive, the misfire Man of Steel treads familiar ground—the origin of Superman and his battle with General Zod—replacing both the spirit and mythology of the icon with an angsty identity crisis and a lot of loud explosions…

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Into the Gray Zone: Brit Marling and Zal Batmanglij Explore Personal and Political Intersection in The East, the Year’s Most Provocative Movie

In two films together, writer-actress Brit Marling and writer-director Zal Batmanglij have explored issues of identity, and both spiritual and cultural alienation. Distinct and intelligent, both 2011’s Sound of My Voice, about a mysterious Los Angeles cult leader (the transfixing Marling) and their new…

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