Beatriz at Dinner may be a wisp of a movie—the credits roll at about the 70-minute mark—but it’s one that couldn’t feel more timely and tapped into the current zeitgeist of what it’s like to be a have or have not in contemporary America.…
A rousing new superhero movie, which sounds like an oxymoron, is exactly what director Patty Jenkins has delivered in Wonder Woman, the new DC action hero picture that avoids the tropes of most superhero movies—over-the-top special effects, cynical calculation and bored performers—and signals the…
Alien: Covenant is a turgid movie whose principal aim is to take down whatever is left of the Alien franchise, once so beloved—apparently for reasons the filmmakers no longer understand—since its inception in 1979. Instead, Ridley Scott and writers John Logan and Dante Harper…
Debra Winger and Tracy Letts are a long-time married couple having affairs with other people in The Lovers, as incisive a portrait of marital discord as American movies have seen in years. What happens when you feel a long-dormant spark for the spouse you’re…
How turn of the century British army officer ended up missing in the Amazon two decades later is the mystery of James Gray’s The Lost City of Z, an enigma of a movie that manages a unique paradox—it absorbs us even while it suspends…
The primary reason to see The Zookeeper’s Wife—and it’s a good one—is a moving performance from Jessica Chastain as real-life World War II heroine Antonina Zabinska, proprietor of the Warsaw Zoo and savior of more than 300 Jews rescued from the Warsaw Ghetto and…
You could do a lot worse for popcorn entertainment than the absurdly over-the-top—and intentionally so—The Fate of the Furious, the latest installment in the franchise that started as a muscle car (and muscle star) B-movie about 15 years ago and has now become a…
Highly original, fun, dark and even a bit scary, Colossal knows a thing or two about modern relationships, rock bottoms, the male ego and even Japanese Kaiju movies. In what may turn out to be the year’s most original film, writer-director Nacho Vigalondo and…
Danny Boyle, the celebrated British filmmaker who won the Oscar for 2008’s Slumdog Millionaire, makes pictures—notably Shallow Grave, 28 Days Later, The Beach, 127 Hours and Steve Jobs—that are visual and aural tapestries of throbbing momentum, precisely shot, edited and scored, aces at seizing…
Say what you will about Life—that’s it’s a knock-off, a B-movie, whatever—but you might also say that it’s tautly directed, well-acted and most importantly, has a creature that is truly scary. That’s not an easy thing to do in today’s CGI-infested landscape, but it…