ChicagoFilm

Midsommar, Ari Aster’s magnum opus follow-up to his deeply unsettling Hereditary, is a sophomore picture of command and precision, well-directed and frequently diverting in its tale of unsuspecting American collegiates venturing into a once-a-century celebration of pagan depravity. Yet as movie freak outs go,…

The Last Black Man in San Francisco, an elegy for the idea of home and a lament for a vanishing culture in San Francisco, took this year’s Sundance directing prize for first-time filmmaker Joe Talbot and is a richly profound film and very nearly…

There’s a scene late in Rocketman where superstar Elton John (Taron Egerton) phones his estranged mother before a sold-out, about to be televised London show, which, tellingly, she’s preparing to watch from her living room. He’s calling to make a confession of sorts, or…

It is, to put it charitably, a formula. There’s this Small-Town Kid from a working-class background who, despite a lack of know-how or means has Very Big Dreams, and while no one Believes In Her, just maybe, with the help of a Unlikely Mentor,…

Life and death in a small New England town haunt a beleaguered Mary Kay Place in Diane, an assured debut from New York film festival honcho turned feature writer/director Kent Jones, who gives us a doozy of a titular character, a well-meaning caretaker filled…