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Once Upon a Time in America: In Eddington, Ari Aster Confronts Fractured Nation

by Lee Shoquist
July 12, 2025

Across four films, 38-year-old writer-director Ari Aster has emerged as one of the most distinctive voices in American cinema. Breaking out with 2018’s trauma thriller Hereditary and 2019’s pagan horror Midsommar, Aster took a turn with the surreal 2023 panic attack Beau Is Afraid. Tonally disparate but thematically linked,…

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After the Very Bad Thing: Sorry, Baby Finds Grace in the Quietly Powerful Eva Victor

by Lee Shoquist
July 11, 2025

Writer-director Eva Victor’s Sorry, Baby, winner of this year’s Sundance Film Festival screenwriting prize, is a deceptively modest indie, one made in spare style but delivering a quietly powerful punch in confronting the long-term fallout of sexual assault.  Trauma splits life into a before…

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All Revved Up, Nowhere to Go: Brad Pitt’s F1 Races Fast Cars Against Flat Script

by Lee Shoquist
June 26, 2025

F1, the thunderous (read: loud) new Brad Pitt racing movie, is really two vehicles—one built for its star, the other for the track. It performs better in the first lane. Director Joseph Kosinski, who launched Top Gun: Maverick to a $1.5 billion global box office and…

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Celine Song’s MATERIALISTS: A Matchmaker’s Dilemma Makes for Rumination on Love, Risk and What We’re Worth

by Lee Shoquist
June 13, 2025

After the glowing reception for her Oscar-nominated 2023 debut Past Lives, Celine Song could have easily followed up with a crowd-pleasing hit that “checks all the boxes”—a phrase her new film, Materialists, uses not-so-ironically to describe the modern partner checklist. Funny? Check. Smart? Check.…

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From Swan Lake to Scorched Earth: Ana de Armas Brings Ballerina B-Movie Fun

by Lee Shoquist
June 7, 2025

Ballerina, in which Ana de Armas spends two hours enthusiastically handing out and receiving beatdowns, is hitting theaters with a jumbo official title: From the World of John Wick: Ballerina. Given its reportedly chaotic production of delays, reshoots and budget overruns, you can hardly…

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Suffer the Children: Vicious Bring Her Back is Horror That Hurts

by Lee Shoquist
May 30, 2025

Two summers ago Danny and Michael Philippou made a striking horror debut with Talk to Me, their scary possession thriller about teens summoning spirits via the creepy severed hand of a dead psychic. Fun and fresh, audiences responded to the tune of $100 million global…

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Mission: Overexplained (but Still Kinda Awesome): More Story, Less Spectacle Fuel Latest Tom Cruise Spycraft Thriller

by Lee Shoquist
May 23, 2025

Tom Cruise and writer-director Christopher McQuarrie return for what feels like a culminating chapter in Mission: Impossible—The Final Reckoning, the $400 million follow-up to 2023’s Mission: Impossible—Dead Reckoning Part 1. But while the 2023 installment ranked as one of the series’ most fast-paced and…

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Cringe, Meet Pathos: How to Lose a Guy in One Unhinged Friendship

by Lee Shoquist
May 18, 2025

Why do adult men often struggle to make friends with other men? Such fraught camaraderie dynamics inform writer-director Andrew DeYoung’s black comedy Friendship, in which an ill-fated bromance makes for an observant movie which, like the great human comedies, mines hilarity from humiliation and…

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Death’s Design: Same as Ever in Final Destination: Bloodlines

by Lee Shoquist
May 16, 2025

It’s been 25 years since Final Destination first arrived on screens, its crafty (and best) 2000 original ushering in a popular franchise predicated on elaborately contrived mayhem and driven by grim musings on mortality and fate. Fourteen years have passed since the last installment, which makes…

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All the Things They Can’t Say: The Quiet Longing of Tender On Swift Horses

by Lee Shoquist
April 18, 2025

On Swift Horses, a period melodrama about hidden love and sexual identity in 1950s America, is so tasteful it makes you wish it would cut loose with the abandon its characters experience in their frequently heated moments of self-discovery. Featuring an attractive cast led…

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About Me

Lee Shoquist is a film critic and member of the Chicago Film Critics Association and leads over 20 monthly film discussion groups with more than three hundred, multi-generational attendees across the Chicago area and periodically in New York and Los Angeles. Learn more or contact Lee.

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