Take This Waltz

Michelle Williams has such a delicate, cherubic emotionality, fully writ on her peaches and cream cheeks, always dancing on the edge of great vulnerability—she really has emerged as perhaps one of the very best of her young generation.  Her tour-de-force as Marilyn Monroe in…

Read More

Beasts of the Southern Wild

Is it enough to just say that Beasts of the Southern Wild, this year’s Sundance Grand Jury Prize winner that also captured the Caméra d’Or at Cannes, is the best American film of 2012?  Part coming-of-age story, part anthropological examination, part story of community…

Read More

Savages

Oliver Stone’s Savages is being hailed as a return to form for the maverick filmmaker, and in telling the lurid tale of two Southern California pot dealers ensnared in a vicious Mexican cartel, he pulls out all the stops—beheadings, torture, steamy sex, dirty double-crosses,…

Read More

The Amazing Spider-Man

The cynic in me says that The Amazing Spider-Man, the reboot of the Marvel movie franchise that comes just seven years on the heels of the last film in the series, 2005’s Spider-Man 3, is merely a studio marketing move to cash in on…

Read More

People Like Us

The main reason to see People Like Us, about a hotshot who does some growing up after returning home for his father’s funeral, is the performance of Elizabeth Banks as an down-on-her-luck single mother with a lot of baggage, valiantly trudging along until she…

Read More

Magic Mike

There’s been a lot of talk about how Magic Mike, the “male stripper movie” based on producer-star Channing Tatum’s early experiences and directed by Steven Soderbergh, won’t play to heterosexual men—and how this may inevitably spell box-office trouble.  And from the film’s marketing campaign,…

Read More

Abraham Lincoln: Vampire Hunter

Director Timur Bekambetov’s Abraham Lincoln: Vampire Hunter, an awkward mash-up of historical fiction, satire and horror, couldn’t be less inspired.  “History is made of legends, not men,” we learn in the opening sequences—not exactly apropos for a movie sure to be quickly forgotten.  In…

Read More

Seeking a Friend for the End of the World

A strangely affecting film that begins as a broad comedy before settling down into something sweeter, filmmaker Lorene Scafaria’s Seeking a Friend at the End of the World, about an unlikely friendship that forms as a meteor hurls toward Earth, has a surprising, beating…

Read More

Safety Not Guaranteed

What a wonderful picture Safety Not Guaranteed turns out to be—to describe it is to reduce it to its rudimentary plot points, but to see it, and witness the sensitivity and sweetness play out onscreen, is a thing of beauty.  It’s a movie that…

Read More

Your Sister’s Sister

Filmmaker Lynn Shelton’s new comic chamber piece, Your Sister’s Sister, has an uncanny ear for the dynamics between adult sisters and a firm grasp on the identity of a young man going through  a period of crisis.  As in her first feature, Hump Day,…

Read More