Disconnect is an unexpected and valuable achievement, a movie plugged into the zeitgeist of how we live and where we are right now, at this particular cultural moment. I can’t remember a recent picture about American life this insightful and gripping, or one that…
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The Place Beyond the Pines, filmmaker Derek Cianfrance’s follow-up to 2010’s Blue Valentine, is about the sins of fathers being visited on sons, fate and a particular kind of grittiness in the working class milieu of Schenectady, New York, depicted here as a dead…
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Much has been said about the supposed quality of the new Evil Dead picture, a remake of Sam Raimi’s crafty, 1981 low-budget chiller and drive-in mainstay, about twenty-somethings whose weekend cabin retreat results in demonic mayhem. Directed by first-time Uruguayan filmmaker Fede Martinez from…
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The not so fine line between satirizing and wallowing in excessive tits, ass and gunplay informs the wannabe provocation Spring Breakers, about four teenaged bimbos conquering South Florida in a hail of hedonism, or something like that. Written and directed by Harmony Korine (Gummo,…
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By all rights, The Call—starring Halle Berry as a frantically overpermed 911 operator trying to save the life of a kidnapped teen—shouldn’t have been this good. Featuring a committed performance from its star and shrewdly effective direction from indie filmmaker Brad Anderson (The Machinist,…
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The bombastic CGI spectacle Oz: The Great and Powerful, directed by Sam Raimi and starring James Franco as a two-bit Kansas magician circa 1905 who becomes an unlikely wizard, is a let-down, a movie so consumed by technology that its spirit gets crushed. A…
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The flower of evil grows within a teen girl in Stoker, a deliriously stylized psychological thriller from Korean director Park Chan-Wook (Oldboy), about some increasingly disturbing family dynamics that take root after the husband and father’s accidental death. But that’s not really what Stoker…
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The worn out zombie genre gets a welcome reboot in the winning Warm Bodies, about a zombie and human who fall in love and—what else?— change the world. Based on the popular novel by Isaac Marion and directed by Jonathan Levine (The Wackness, 50/50)…
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