Now You See Me

Now You See Me is a movie with very little story or character, but a hell of a lot of plot and pizzazz.  And that’s mostly okay in this piffle of a caper film, the kind of high-concept contemporary movie-movie that operates in a…

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What Maisie Knew

It’s a very rare movie that presents a character you want, above all costs, to be happy. And What Maisie Knew, the moving new adaptation of Henry James’ 1897 novel of a young girl in peril, is such a film.  In the center of a…

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Star Trek Into Darkness

Note: This review contains plot spoilers. A mostly disappointing sequel to the gleaming 2009 series reboot, Star Trek Into Darkness is a movie that gives us a recycled villain, by-the-numbers directing and nothing new from the J.J. Abrams canon. It’s serviceable and enlivened by…

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The Great Gatsby

Say what you will about Baz Luhrmann’s long-awaited (and much-delayed) vision of The Great Gatsby—a lavish, decadence-drunk period fantasia equal parts artifice and genuine emotion—but all that glitters (literally off the screen here in 3D) is all that matters in this surprisingly faithful adaptation of…

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The Force Within Us

On May 26, 1977—a long time ago in a rural Michigan town pretty far away—I vividly recall seeing something called Star Wars on the first Saturday matinee of its opening weekend. As my mother and I arrived on that early summer afternoon, we were…

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Mud

Two Arkansas teens befriend a mysterious drifter in Mud, a picture so good that it deserves to stand alongside the best coming of age movies. Like Winter’s Bone and Beasts of the Southern Wild, it fully immerses us in both observant cultural geography and…

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To the Wonder

Continuing his departure from conventional storytelling, Terrence Malick’s To the Wonder is a frustratingly abstract experience that’s either an accomplished piece of narrative minimalism or empty and underwritten. As much as I admire maverick Malick, one of the few American visionary directors left and…

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Disconnect

Disconnect is an unexpected and valuable achievement, a movie plugged into the zeitgeist of how we live and where we are right now, at this particular cultural moment. I can’t remember a recent picture about American life this insightful and gripping, or one that…

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Trance

Reality is overrated in Trance, Danny Boyle’s twisty bit of tomfoolery about an art auctioneer who gets caught up in a heist (we think). It’s a minor picture from a major director, a dark love triangle where nothing is what it seems, a serpentine…

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The Place Beyond the Pines

The Place Beyond the Pines, filmmaker Derek Cianfrance’s follow-up to 2010’s Blue Valentine, is about the sins of fathers being visited on sons, fate and a particular kind of grittiness in the working class milieu of Schenectady, New York, depicted here as a dead…

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