A tale told with sound and fury signifying perhaps the best big-budget sci-fi action movie since Avatar, director Doug Liman’s Edge of Tomorrow is proof positive that a summer superthriller needn’t be mindless, this one so innovative in its storytelling and satisfying in its…
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It’s been some time since I’ve felt overwhelmed by a movie, or maybe just a character. Perhaps even longer since I fell in love with one. That happened a few days ago, and I think I still have butterflies. In the unabashedly tear-inducing movie…
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The main reason to see Maleficent, the new revisionist take on Sleeping Beauty featuring heavy doses of girl power and even more CGI, is its most special effect, a silky smooth performance by Angelina Jolie as the titular, anti-heroic villainess in spite of herself. Heretofore…
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Forget about it being a summer franchise picture, because X-Men: Days of Future Past is a thoughtful and thematically dense anti-blockbuster, a movie full of ideas that largely eschews huge action set-pieces through most of its running time in favor of a surprisingly compelling…
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A superfluous rehash of a much better movie, Brick Mansions is the limp American version of the terrific 2006 French action picture District B13, which was a scrappy surprise that introduced the uninitiated to the high-flying sport of parkour and its gravity-defying founder, Gallic…
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Jonathan Glazer’s dark-pearled Under the Skin is an alternately fascinating and frustrating picture, an unequivocal triumph of mood and tone and an unfortunate letdown as a narrative. We know this much—Scarlett Johansson is an alien life form arriving on Earth (Scotland, to be exact,…
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Sensational The Raid 2 begins almost immediately after 2012’s The Raid, but that’s where the resemblance ends. The first picture, a perfectly acceptable Indonesian actioner—an orgiastic ballet of bullets, bodies and martial arts involving a pair of agile Jakarta SWAT cops laying waste to…
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