Samba

Samba, the good-hearted story of a Senegalese immigrant in Paris fighting deportation, is a sum of its parts picture. Written and directed by the French duo Olivier Nakache and Eric Toledano from the novel Samba pour la France by Delphine Coulin, it’s a movie…

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Teriminator: Genisys

If any remaining proof of Hollywood’s creative bankruptcy should be required, the more-is-less Terminator: Genisys should put the issue to bed once and for all. An all-out assault on both the senses and storytelling, this overblown mess of a movie appropriates entire chunks of…

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The Overnight

A  good-natured sex farce about the insecure male ego and flirting with marital experimentation, The Overnight is a cheerfully raunchy ode to ennui and swinging that is revolutionary in its own small ways.  Light as a feather but no less enjoyable—actually quite enjoyable—this broad…

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Insidious: Chapter 3

The latest entry in the haunted family saga of otherworldly entities and vengeful spirits, Insidious: Chapter 3 is notable for one reason, and a good one—veteran character actress Lin Shaye as reticent medium Elise Rainier.  If awards were given for performances in genre films—and…

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Mad Max: Fury Road

The most imaginative and directorially accomplished movie of the year, Mad Max: Fury Road is a hell of a vision from director George Miller, 70 and at the peak of his powers, upending the action genre by delivering an antithetical, feminist war cry that…

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Aging, Acting and Identity: International Filmmaker Olivier Assayas Ruminates on Celebrity, Self-Reflection in Haunting Clouds of Sils Maria

Olivier Assayas, the prolific French screenwriter, director and film critic whose movies include the stylish film-within-a-film Irma Vep (1996), the prophetic global business shocker Demonlover (2002), the bittersweet family drama Summer Hours (2008) and the large-scale Venezuelan terrorist thriller Carlos (2010), is nothing if…

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The Clouds of Sils Maria

Oliver Assays’ Clouds of Sils Maria is an opaque conceptual trip, a thematically dense exercise in self and industry reflections, a nod to both Fassbinder and Bergman and a showcase for its actresses, namely Juliette Binoche as an internationally renown actress undergoing an identity…

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