Edge of Tomorrow

A tale told with sound and fury signifying perhaps the best big-budget sci-fi action movie since Avatar, director Doug Liman’s Edge of Tomorrow is proof positive that a summer superthriller needn’t be mindless, this one so innovative in its storytelling and satisfying in its…

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The Fault in Our Stars

It’s been some time since I’ve felt overwhelmed by a movie, or maybe just a character. Perhaps even longer since I fell in love with one. That happened a few days ago, and I think I still have butterflies. In the unabashedly tear-inducing movie…

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Maleficent

The main reason to see Maleficent, the new revisionist take on Sleeping Beauty featuring heavy doses of girl power and even more CGI, is its most special effect, a silky smooth performance by Angelina Jolie as the titular, anti-heroic villainess in spite of herself.  Heretofore…

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X-Men: Days of Future Past

Forget about it being a summer franchise picture, because X-Men: Days of Future Past is a thoughtful and thematically dense anti-blockbuster, a movie full of ideas that largely eschews huge action set-pieces through most of its running time in favor of a surprisingly compelling…

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Chef

The very definition of a crowd-pleaser, Jon Favreau’s Chef is as amiable and enjoyable a comedy as in recent memory, and one that ultimately works on sweetness and a solidly charming performance from its writer/director/star, whose film has real heart and big laughs.  Chef…

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Brick Mansions

A superfluous rehash of a much better movie, Brick Mansions is the limp American version of the terrific 2006 French action picture District B13, which was a scrappy surprise that introduced the uninitiated to the high-flying sport of parkour and its gravity-defying founder, Gallic…

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Joe

Based on the 1991 novel by Larry Brown, Nicolas Cage makes an undeniably impressive return to dramatic form as titular Joe Ransom, a hard-living Texas local, a small town former con both bitter and goodhearted, who frequents the local bar and whorehouse when he’s…

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Under the Skin

Jonathan Glazer’s dark-pearled Under the Skin is an alternately fascinating and frustrating picture, an unequivocal triumph of mood and tone and an unfortunate letdown as a narrative. We know this much—Scarlett Johansson is an alien life form arriving on Earth (Scotland, to be exact,…

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