Director Sarah Gavron has taken what might have been a tony period piece about women standing up to oppression in 1912 London and fashioned an urgent, immediate and gripping war movie about loss and sacrifice. It’s a battle, Suffragette says, to effect social and…
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Sandra Bullock is the world’s savviest political consultant in David Gordon Green’s underwhelming satire Our Brand is Crisis, a picture so telegraphed and unenlightening that its biggest crime, ultimately, is merely playing it safe, edgy as it thinks it is. There is nothing new…
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Of the many pleasures writer/director Paul Weitz delivers in his terrific new movie, Grandma, starring a Lily Tomlin in a performance for the ages as a broke, lesbian poetess reconciling her past after her eighteen-year-old granddaughter shows up seeking help with an abortion, is…
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What does it mean to be truly tested? Perhaps what scares you may be the only way to find out, a familiar theme for filmmakers John Erick and Drew Dowdle, the successful brother act who have delivered an impressive slate of horror pictures including…
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The pleasure of meeting Greta Gerwig is all about energy. Her energy, that is. Just sitting casually across from you on a sofa, as she is today with me during a chat at Chicago’s Park Hyatt hotel, the screenwriter and actress radiates a sort…
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The exhilaration of Straight Outta Compton, one of the year’s best movies, is that of a good story, well-told with vivid performances and a stirring, contemporary sociopolitical context. Charting the rise, fall and rise of seminal hip hop forerunners N.W.A., director F. Gary Gray…
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The lost art of screen presence has not been lost on France’s biggest star, Omar Sy, the charismatic movie star who won the Cesar for his moving work in 2011’s The Intouchables and returns this month as Samba, a down-on-his-luck, undocumented Senegalese immigrant living…
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