The Politics of Public, Private and Press: Filmmaker Jason Reitman Takes on The Front Runner Gary Hart, Media—and Us—in Campaign Drama

In 1987, Colorado senator and surefire 1988 Democratic presidential nominee Gary Hart’s bright political future was handily extinguished by allegations of extramarital impropriety with Donna Rice—we’ve all seen the famous photo—and Hart went from popular man of the people to political pariah in a…

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Widows

Widows, one of the year’s most best movies, is a high stakes heist picture on Chicago’s meanest streets, but what’s so good about it is that it’s almost an “anti-heist” heist movie. By that I mean that its characters—led by a herculean Viola Davis…

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Boy Erased

Joel Edgerton’s Boy Erased, one of the year’s best-acted movies, is an “issue” movie done so well it far surpasses another well-meaning, troubled teen picture this season. Both movies are about real-life teens in crisis—one forced into gay conversion “therapy,” the other in the…

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A Private War

“No one in their right mind would do what you do,” journalist Marie Colvin is told late in A Private War, an absorbing character study of a woman who lived, and not always fearlessly, in harm’s way on the front lines of the bloodiest…

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The Girl in the Spider’s Web

The mystique of Lisbeth Salander—that iconic, proto-feminist hacker turned crusader against the evil that men do—has been mostly sidelined in The Girl in the Spider’s Web, a disappointingly routine action picture that miscalculates by diminishing Salander’s knife-edged persona, her propensity for dispensing grim justice…

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Suspiria

Ambition gets the best of an off-day Luca Guadagnino in his revisionist Suspiria, a leaden reimagining of Dario Argento’s phantasmagoric 1977 shocker about a witches’ coven at a prestigious German dance academy and the American student who discovers its secret. The story goes that…

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