Killer Joe

William Friedkin’s film of Tracy Letts’ corrosive play Killer Joe, about a white trash Texas clan that hatches a plan to murder their matriarch for—what else?—a paltry insurance policy, is a movie with good acting, much violence, nary any social context and scant redemption…

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Red Lights

This review contains spoilers. While it’s probably true that a movie can recover from a weak beginning, a shaky ending proves a more formidable challenge. Such is the case with director Rodrigo Cortes’ Red Lights, about a pair of university scientists out to debunk…

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Ruby Sparks

Fantasy and reality collide in Ruby Sparks, a fractured love story about a wunderkind young novelist suffering from writer’s block who manifests his perfect muse from the keys of a battered old typewriter.  What he does with her once she arrives is what makes…

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Trishna

Michael Winterbottom’s Trishna, a retelling of Thomas Hardy’s classic 1871 novel Tess of the D’Urbervilles set in modern-day India, is a sumptuous picture featuring a solid performance from the very beautiful Freida Pinto as the tragic heroine struggling with issues of love and class. …

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The Dark Knight Rises

I’m not sure it’s possible for any movie to live up to the deafening din of hype and expectation faced by Christopher Nolan’s The Dark Knight Rises, on the heels of its 2008 predecessor’s $1 billion haul at the box office and legion of…

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Take This Waltz

Michelle Williams has such a delicate, cherubic emotionality, fully writ on her peaches and cream cheeks, always dancing on the edge of great vulnerability—she really has emerged as perhaps one of the very best of her young generation.  Her tour-de-force as Marilyn Monroe in…

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