The Girl in the Spider’s Web

The mystique of Lisbeth Salander—that iconic, proto-feminist hacker turned crusader against the evil that men do—has been mostly sidelined in The Girl in the Spider’s Web, a disappointingly routine action picture that miscalculates by diminishing Salander’s knife-edged persona, her propensity for dispensing grim justice…

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Suspiria

Ambition gets the best of an off-day Luca Guadagnino in his revisionist Suspiria, a leaden reimagining of Dario Argento’s phantasmagoric 1977 shocker about a witches’ coven at a prestigious German dance academy and the American student who discovers its secret. The story goes that…

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Halloween

So much for the hype surrounding director David Gordon Green’s declared return to form in the new Halloween, less a companion piece to John Carpenter’s 1978 classic than a barely competent homage to the lousy movies it spawned. The new picture has one idea,…

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First Man

Damien Chazelle’s First Man presents a vision of the space race, and the men and women swept up in it, as an intensely personal yet, at times, magisterial in scope and ambition. An epic of sorts, it’s a film of both intimate and large…

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