Everything you’ve heard about the Cannes-celebrated Parasite, or perhaps more pointedly, Scenes from the Class Struggle in Seoul, is tenfold true. A savage, toothy satire about social class, or more specifically, about the resourcefulness and eventual uprising of the underclass, it’s a picture that…
Read More
Quentin Tarantino’s Once Upon a Time…in Hollywood—a gorgeous evocation of 1969 Los Angeles and bittersweet elegy for falling Hollywood stars and the passing of a definitive American era—is the work of an artist at the peak of his powers, which, if you believe him,…
Read More
She was always going to do exactly what she wanted. At 15, British youth Tracy Edwards unceremoniously left an unhappy Wales home to start a new life in the Greek port of Piraeus, quickly finding work as a stewardess on a yacht cruising the…
Read More
Midsommar, Ari Aster’s magnum opus follow-up to his deeply unsettling Hereditary, is a sophomore picture of command and precision, well-directed and frequently diverting in its tale of unsuspecting American collegiates venturing into a once-a-century celebration of pagan depravity. Yet as movie freak outs go,…
Read More
You’ve got to hand it to Mexican-Canadian filmmaker Gigi Saul Guerrero. What the emerging talent has accomplished in her new Blumhouse picture Culture Shock, premiering July 4 on Hulu’s Into the Dark, took considerable brass, not to mention a keen understanding of genre as…
Read More
The Last Black Man in San Francisco, an elegy for the idea of home and a lament for a vanishing culture in San Francisco, took this year’s Sundance directing prize for first-time filmmaker Joe Talbot and is a richly profound film and very nearly…
Read More
