It may not have been necessary, but Steven Spielberg’s shiny new version of West Side Story has enough going for it to merit a recommendation – it’s a colorful, energetic update.…
As a love letter to youth amidst a war-torn milieu and a chronicle of a childhood in tumult, Belfast, a black-and-white movie reminiscence, will be compared to Alfonso Cuaron’s Roma, which took a similar approach and was vaulted as an object of high art…
Pablo Larrain’s Spencer, featuring Kristen Stewart as a tormented Princess of Wales on a Christmas holiday with the Royal Family at Sandringham House, is primarily of interest for the star’s transfixing performance as the put-upon noble who would rather be anywhere else than under sovereign…
As an excavation of a place, time and a personal history, Roy’s World: Barry Gifford’s Chicago deconstructs Chicago poet and novelist Barry Gifford in an original movie portrait of the artist as a young man, told in a variety of forms, against a backdrop…
As Roger Ebert frequently asserted, the first and most important question to ask of a film is what its makers intended, and the second is how well they executed upon said intentions. This, of course, does not allow for questioning whether what was intended/executed…
The pastoral Icelandic countryside proves a superbly eerie milieu for Vladimir Johansson’s slow-burn arthouse thriller Lamb, one of the strangest, riskiest movies in recent memory.…
No Time to Die is a smashing piece of entertainment, a movie so much fun to watch—extravagant in the usual James Bond ways that provide immeasurable movie comfort—and such a generous swan song for star Daniel Craig that you’d have to be a bitterly…
In the opening scene of The Eyes of Tammy Faye, an unrecognizable Jessica Chastain is an early 90s Tammy Faye Bakker, primping before a mirror in preparation for an interview. As she explains, both her lips and eyes are lined with permanent ink, and…