Sorry We Missed You

As evidenced by his last two pictures, eighty-three-year-old British filmmaking legend Ken Loach’s social critiques are as sharp as ever, his eyes still keen to the injustices inflicted on the working poor and, thankfully, offer no indication of slowing down. In 2016, he charted…

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The Invisible Man

The to-date best movie of 2020, Leigh Whannell’s  The Invisible Man is a smart, sleek thriller, and one with surprising psychological gravitas. Elizabeth Moss, the go-to for characters fraying under duress, etches out a compelling portrait of a domestic abuse victim trying to put…

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Downhill

If you haven’t seen 2014’s Force Majeure, the Swedish picture about a family vacationing in the Alps who experience an avalanche scare and the domestic fallout after, then perhaps Downhill, the American remake, will do something for you. Otherwise, the new picture, an awkwardly…

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Underwater

When a picture is released in January featuring a big star minus any publicity, you know you’re in for a stinkeroo, and Kristin Stewart’s waterlogged Alien redux Underwater, the latest in a long line of creature features aping Ridley Scott’s 1979 suspense classic minus…

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Cats

Whatever one might say about Tom Hooper’s inexplicable new movie adaptation of Andrew Lloyd Webber’s “longest running Broadway musical” and 7-time Tony winner Cats—and there will be much said—it’s an undeniable vision. A misguided one, sure, but who honestly thought this was a good…

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Knives Out

The whodunnit may be an all-but-vanished American film genre, but Rian Johnson’s sensationally entertaining Knives Out serves as an affectionate revival. An exceedingly clever, highly skilled exercise in, well, fun, it would take a real grinch to poo-poo it. And why would anyone want…

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