A unconventional young woman searches for her birth parents in Return to Seoul, an inquisitive essay on the evolving nature of self-identity and actualization. How do we define ourselves? Where do we belong? Can we continually reinvent ourselves? These are the questions posed by…
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Jamie Dack's Sundance winner is a distressing examination of trust, dependency, coercion and, ultimately, exploitation. It is upsetting—and unmissable.…
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A tacitly profound coming-of-age picture featuring one of the best youth performances ever committed to film, the tiny Irish drama The Quiet Girl, the first Irish-language film to be nominated for an Oscar, is an indisputable masterwork, simple on its face yet possessing an…
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Albert Serra’s haunting post-colonial epic Pacifiction begins and ends with a skiff of French marines arriving, then departing a Tahitian island. Their intentions in this place, eventually revealed across a languorously paced picture with a meticulous insinuation of dread, may or may not be…
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When an unassuming little 2012 fantasy about hunky male strippers is parlayed into a multi-installment franchise across more than a decade, we are at a tipping point with American movie consumerism. While such box office pursuit may be de rigueur for the junk food…
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In Victor Nunez’ superb 1992 indie drama Ruby in Paradise, a young Ashley Judd fled the Tennessee sticks for a life on her own in Panama City Beach, Florida, eking out a living in souvenir trinket shop. During one key scene she encountered a…
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In the new romantic comedy Somebody I Used to Know (Prime Video, February 10), Alison Brie stars as a successful Hollywood journalist facing a professional crisis who returns to her hometown of Leavenworth, Washington, to plan her next move. What she doesn’t expect, after…
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M. Night Shyamalan’s Knock at the Cabin, about a life-or-death dilemma and impending apocalypse, is a thought-provoking exercise in tension open to a number of interpretations. Is it merely about a scary home invasion or the genuine threat of human extinction? Blind faith versus…
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Exquisitely observed and deeply felt, Lukas Dhont’s Cannes Grand Prix winner Close is an adolescent coming-of-age picture told with such heartstopping sensitivity that it instantly ranks amongst the best films ever made about childhood loss—that of our friendships, our innocence and, sometimes, those we…
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An intermittently intriguing exercise in designer depravity, Brandon Cronenberg’s Infinity Pool, about a failed novelist on a seaside vacation turned tour of hell, is gripping fun until it isn’t. It has its merits—chiefly very good performances by Alexander Skarsgård and Mia Goth—but wears out…
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