Kelly Reichardt’s quietly appealing consideration of the life—and life’s work—of an independent artist forms the basis of her new picture, Showing Up, featuring a lovely performance from Michelle Williams as a sculptress navigating the day-to-day while preparing for a gallery opening of her latest…
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Two-time Cannes winning Belgian filmmaking brothers Jean-Pierre and Luc Dardenne are firmly renowned, with legendary predecessor Ken Loach, as international cinema’s foremost chroniclers of social realist hard knocks. Their pictures—frequently about hardscrabble disenfranchisement, ethical quandaries in the face of limited options and social hierarchies…
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As a commercial entertainment, Ben Affleck’s Air, charting Nike’s quest to sign rookie-on-the-rise Michael Jordan as its brand ambassador, is polished, serviceably entertaining and, on occasion, better. Whether its story, about how the former market laggard created the axis-shifting Air Jordan, is as substantial as…
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Art and culture take their time essaying perspectives on the past—if the 70s offered a revival of 50s nostalgia (perhaps because the social unrest of the 60s left some longing for the “innocence” of an earlier era), the 80s were a conservative rebuff to…
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A mother and son forge a life in Harlem amidst an ever-changing city in the gritty, moving Sundance Grand Jury Prize winner A Thousand and One, a movie about strugglers, strivers, hard won family love and the spoils of urban gentrification. It is also…
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As a document of a successful artistic union between director and muse, Zach Braff’s A Good Person is an ode to a luminous movie star who has clearly fascinated the talented writer-director, and one who fascinates us. That star is the estimable Florence Pugh—a hot…
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A burglar specializing in high-end art theft finds himself trapped Inside a Manhattan penthouse in an effective, minimalist meditation on notions of creation and isolation set amidst a brutalist gallery of modern art works. The picture’s opening narration offers a twist on the age-old…
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One of the best slasher films in ages, Scream VI is a surprisingly good thriller that delivers exactly what it intends to—vicious scares, excellent horror set pieces and likable, well-acted characters to buoy the terror. It has been some time since the movies have…
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A unconventional young woman searches for her birth parents in Return to Seoul, an inquisitive essay on the evolving nature of self-identity and actualization. How do we define ourselves? Where do we belong? Can we continually reinvent ourselves? These are the questions posed by…
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Jamie Dack's Sundance winner is a distressing examination of trust, dependency, coercion and, ultimately, exploitation. It is upsetting—and unmissable.…
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