Ben Affleck’s Argo so expertly balances its seemingly disparate story elements—the political history, the high-flying Hollywood satire, the great escape, the father seeking redemption—it signals a marked directorial growth from Affleck in one of the year’s best movies. Moving away from the Boston setting…
Read More
The Perks of Being a Wallflower is one of the most sensitive movies ever made about teenagers. At a time in American movies where teens are vapid aliens who speak/text in too-cool poseur dialogue de rigueur, Hollywood has reached its nadir in depicting the…
Read More
Pitch Perfect almost is just that, a roaring comedy about dueling collegiate a capella teams featuring more laughs than just about any comedy this year, and that’s saying something in a year that’s brought us such offbeat gems as Safety Not Guaranteed and Ruby…
Read More
There’s something immensely satisfying about Clint Eastwood’s current movie persona as the grizzled old man who has seen it all and has no patience for any of it. He did this curmudgeon in spite of himself routine in 2008’s Gran Torino to great effect,…
Read More
You can’t dismiss a B-movie merely for its derivations from other movies—most are predicated upon familiar tropes that usually never fail to get the audience amped up, particularly in the case of horror movies, the genre of all genre movies. Cue the darkness, ominous…
Read More
There’s no way to get through Craig Zobel’s superb Compliance without being agitated, impatient, upset even—it’s a difficult sit. It’s also the most discussion-worthy and provocative movie of 2012. There simply won’t be another movie that shakes us up like this, haunts us for…
Read More
For a Good Time Call is alternately pushy and sweet, obnoxious and endearing, too broad yet at-times inspired, a Wild Sex Comedy featuring two perfectly nice young women who meet cute, despise each other and then become best-est friends. Oh, and they create a…
Read More
