Rush

Rush is exactly that—a thrilling movie ride that steps on the pedal from the opening scene and speeds through a breakneck 123 minutes. Directed by Ron Howard with a dynamism and vigor absent from his respectably commercial previous films, here is a movie that…

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Prisoners

Prisoners is a child abduction drama with a crusading conviction all but gone from the modern Hollywood thriller.  I’m not sure that alone marks it for greatness as some recent Telluride notices were quick to coronate—but it is certainly a bluntly effective tool. Directed…

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Insidious: Chapter 2

James Wan inadvertently created some big shoes for himself to fill by directing this year’s instant classic ghost story, The Conjuring. One of the year’s nicest surprises, the super scary chiller—depicting a haunting and possession as a master class in elegant lighting, sound design…

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Riddick

Pitch Black writer/director David Twohy returns to the series he created with Riddick, a partly visionary, mostly routine outing starring Vin Diesel as his signature brawny, bari-toned anti-hero. This time fugitive Riddick is stranded on a barren planet fending off ferocious canines and lethal…

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Ain’t Them Bodies Saints

An atmospheric failure, the criminal lovers saga Ain’t Them Bodies Saints is a dramatically inert picture, and while director David Lowery works his camera overtime, the characters and story largely fail to engage, stilted under the weight of a solemn tone and overly mannered…

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Elysium

Sci-fi thriller Elysium thinks it’s a piquant social allegory about the undocumented population and fight for universal healthcare. But Neil Blomkamp’s sophomore outing (after 2009’s surprise critical hit District 9) is really just an empty B-movie actioner that has more in common with clunky,…

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The Spectacular Now

The Spectacular Now is a remarkably sensitive teen movie, not exactly an oxymoron in American film but rare enough to take notice. Like last year’s The Perks of Being a Wallflower, here is a movie about teenagers that honestly acknowledges and deals with the…

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We’re the Millers

As bad taste family road movies go, you could probably do worse (and certainly better) than We’re the Millers, a crude gag machine about a thirty-something Denver drug dealer who appropriates a fake cover family to cross the Mexican border and transport a payload…

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The Wolverine

While a marked improvement over 2009’s forgettable X-Men Origins: Wolverine, Hugh Jackman’s latest outing—his 6th as the snarling, talon-fingered mutant Logan—is a middling picture, welcomely understated as summer action pictures go. But that doesn’t exactly make it good. Directed by James Mangold, the expert…

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The Conjuring

James Wan’s splendidly creepy, first-class haunted house picture The Conjuring is a welcome throwback to a genre all but forgotten by Hollywood’s labored, modern CGI thrillers.  Featuring expert craftsmanship that makes superlative use of light, darkness, sound and production design, The Conjuring is a high-order…

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