An imperfect masterwork still qualifies as one, and Christopher Nolan’s transcendent magnum opus Interstellar is perhaps the most thematically and technically ambitious mainstream movie in memory, one so demanding for its 169-minute running time that at times it feels like a final exam, but…
Read MoreBirdman, Alejandro Gonzalez-Inarritu’s audacious backstage redemption tale, is at once an incisive portrait of the artistic ego and a rage against the dying of the (spot)light, a personal movie about art as savior, second chances, aging, irrelevance and an indictment of a fickle industry…
Read MoreThe aptly titled new war picture Fury, starring Brad Pitt as an American sergeant leading a band of GIs through Germany at the close of the World War II, is a machine of a movie that storms both the battlefields and the emotions. Fashioned…
Read MoreComprised of two distinct features and running 195 minutes, The Disappearance of Eleanor Rigby: Her/Him is both too much and not enough. Arriving a mere few weeks after the film’s initial release, a 122-minute version titled The Disappearance of Eleanor Rigby: Them, the new…
Read MoreToo clever by half and too broad to be genuinely funny, the contrived family dramedy This Is Where I Leave You favors situational contrivances over honest characters. It’s the sign of a distinctly modern movie such as this that after winding us up with…
Read MoreSomeone is murdering the wives of New York drug dealers in the diabolical mystery A Walk Among the Tombstones, an appealingly low-key detective thriller featuring a top-of-his-game Liam Neeson as independent private detective Matthew Scudder, author Lawrence Block’s hardboiled crusader featured in 17 of…
Read MoreFor awhile, the supernatural thriller The Possession of Michael King, about an atheist documentarian and grieving widower who turns to the supernatural for answers, delivers the goods—ingenious concept, strong acting, palpable atmosphere and some genuine scares. And while there’s nothing quite new in David…
Read MoreThere’s one thing to recommend—or maybe two—in Robert Rodriguez and Frank Miller’s tediously stylized mayhem opus Sin City: A Dame to Kill For, and that’s a delicious Eva Green as a scheming femme fatale who leads several men to doom. Green, who similarly elevated…
Read MoreWhen writing a screenplay intended to be “offbeat,” it’s probably not a good idea to employ a shopworn and predictable plot, as is the case with the untenable new romantic “comedy” What If, starring a pair of otherwise accomplished actors playing exactly two conditions—haplessly…
Read MoreGreat films always divide viewers, and I Origins, and Mike Cahill’s superbly thought-provoking examination of skepticism, belief, science, religion, true love and the existence of the soul, will be no exception. As his second picture, following 2011’s notable Another Earth, I Origins reveals Cahill’s…
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