Mamma Mia: Here We Go Again, an unexpected good time sequel, takes some time to settle into—the songs aren’t quite as good as the first go-round and there’s patent silliness in nearly every frame—but the anything-to-please eagerness, informing every production number, one-liner and candy…
Read MoreDebra Granik’s heartbreaker Leave No Trace is an unorthodox father-daughter story about family, adolescence and community, emotionally potent all the way and with a lot of compassion for the values of rural folks and those who choose to live off-the-grid. It is also a…
Read MoreA terrific Vera Farmiga and Christopher Plummer drive the family road movie Boundaries, about a hard-won reconciliation between a father and daughter who, try as they might, have never been able to make their relationship work. Written and directed by Shana Feste, it’s a…
Read MoreHereditary, about a troubled family coming apart after a tragedy leads to an intrusion of the supernatural, is among the best, and rarest, kinds of scary movies, both a thoroughly observed examination of personal and human dynamics and diabolical descent into a place so…
Read MoreAs caper films go, Oceans 8 is an enjoyably light fizz that goes down easy even if it’s instantly forgettable. It has a solid cast having a good deal of fun over a serviceable heist. That’s it, and that is enough. Early in a…
Read MoreWriter-director Leigh Whannell makes art out of pulp in Upgrade, the year’s most inventive and entertaining movie, a mash up of Verhoeven, Cronenberg, Cameron, Crichton and a touch of Clarke. A freewheeling, near future, sci-fi actioner that manages to incorporate a spectrum of influences…
Read MorePaul Schrader’s First Reformed, about a reverend’s crisis of faith, is the most narratively and thematically ambitious American film this year. A meditation on spiritual ennui and glimpse into the mind of a bleak character peering into the abyss without comfort, Schrader’s film is…
Read MoreOne might imagine that any movie written by Ian McEwan based one of his novels and starring Saoirse Ronan would be a high-toned, psychologically complex and absorbing trip. Yet in the case of On Chesil Beach, one would be wrong. In a tedious misfire,…
Read MoreIn a certain renowned short story, Annie Proulx wrote “The huge sadness of the northern plains rolled down on him.” It was an instant, all-timer passage, and one also describing the best American film released to-date this year. The Rider—an examination of the myth…
Read MoreWhat if we could all be at peak confidence 24/7? Would we finally manifest the lives we so often make excuses not to attain? If we see ourselves differently, will everyone else? We can now forgive Amy Schumer for the lowbrow hijinks of 2016’s…
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