Joel Edgerton’s Boy Erased, one of the year’s best-acted movies, is an “issue” movie done so well it far surpasses another well-meaning, troubled teen picture this season. Both movies are about real-life teens in crisis—one forced into gay conversion “therapy,” the other in the…
Read More“No one in their right mind would do what you do,” journalist Marie Colvin is told late in A Private War, an absorbing character study of a woman who lived, and not always fearlessly, in harm’s way on the front lines of the bloodiest…
Read MoreThe mystique of Lisbeth Salander—that iconic, proto-feminist hacker turned crusader against the evil that men do—has been mostly sidelined in The Girl in the Spider’s Web, a disappointingly routine action picture that miscalculates by diminishing Salander’s knife-edged persona, her propensity for dispensing grim justice…
Read MoreAmbition gets the best of an off-day Luca Guadagnino in his revisionist Suspiria, a leaden reimagining of Dario Argento’s phantasmagoric 1977 shocker about a witches’ coven at a prestigious German dance academy and the American student who discovers its secret. The story goes that…
Read MoreSo much for the hype surrounding director David Gordon Green’s declared return to form in the new Halloween, less a companion piece to John Carpenter’s 1978 classic than a barely competent homage to the lousy movies it spawned. The new picture has one idea,…
Read MoreDamien Chazelle’s First Man presents a vision of the space race, and the men and women swept up in it, as an intensely personal yet, at times, magisterial in scope and ambition. An epic of sorts, it’s a film of both intimate and large…
Read MoreA tale as old as time—or at least Hollywood—receives an electrifying new update in Bradley Cooper’s rousing A Star is Born, as vividly rendered, romantic and affecting a Hollywood picture as we’ve seen in ages. It may also be the best version of a…
Read MoreHandsome, historical, breezily progressive and featuring a radiant Keira Knightley, Colette is a meditation of the spirit of an artist—here a turn of the 20th century proto-feminist and erotic fiction novelist—out of her time. In a period picture with a notable contemporary relevance, Knightley…
Read MoreMamma Mia: Here We Go Again, an unexpected good time sequel, takes some time to settle into—the songs aren’t quite as good as the first go-round and there’s patent silliness in nearly every frame—but the anything-to-please eagerness, informing every production number, one-liner and candy…
Read MoreDebra Granik’s heartbreaker Leave No Trace is an unorthodox father-daughter story about family, adolescence and community, emotionally potent all the way and with a lot of compassion for the values of rural folks and those who choose to live off-the-grid. It is also a…
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