Tyler Perry is woefully miscast as James Patterson’s star detective in Rob Cohen’s mean-spirited Alex Cross, featuring a wildly possessed performance by Matthew Fox as a subhuman killer whose “true calling” is pain—a bounty which he inflicts upon viewers of this movie. Perry, an…
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Ben Affleck’s Argo so expertly balances its seemingly disparate story elements—the political history, the high-flying Hollywood satire, the great escape, the father seeking redemption—it signals a marked directorial growth from Affleck in one of the year’s best movies. Moving away from the Boston setting…
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The first time I met Joseph Gordon-Levitt was for a picture called Manic, about a young man in crisis, over his head with anger issues. I still recall the marked intensity of the then nineteen-year-old, clad in skinny corduroys and a CBGB tee, and…
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The Perks of Being a Wallflower is one of the most sensitive movies ever made about teenagers. At a time in American movies where teens are vapid aliens who speak/text in too-cool poseur dialogue de rigueur, Hollywood has reached its nadir in depicting the…
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Pitch Perfect almost is just that, a roaring comedy about dueling collegiate a capella teams featuring more laughs than just about any comedy this year, and that’s saying something in a year that’s brought us such offbeat gems as Safety Not Guaranteed and Ruby…
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There’s something immensely satisfying about Clint Eastwood’s current movie persona as the grizzled old man who has seen it all and has no patience for any of it. He did this curmudgeon in spite of himself routine in 2008’s Gran Torino to great effect,…
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You can’t dismiss a B-movie merely for its derivations from other movies—most are predicated upon familiar tropes that usually never fail to get the audience amped up, particularly in the case of horror movies, the genre of all genre movies. Cue the darkness, ominous…
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