If any remaining proof of Hollywood’s creative bankruptcy should be required, the more-is-less Terminator: Genisys should put the issue to bed once and for all. An all-out assault on both the senses and storytelling, this overblown mess of a movie appropriates entire chunks of…
Read MoreA good-natured sex farce about the insecure male ego and flirting with marital experimentation, The Overnight is a cheerfully raunchy ode to ennui and swinging that is revolutionary in its own small ways. Light as a feather but no less enjoyable—actually quite enjoyable—this broad…
Read MoreGreat (Adam) Scott: The Overnight Star Takes on Male Ego and Marital Identity in Uproarious Sex Comedy

Adam Scott, the affably winning charmer of the hit series Parks and Recreation, has spent over twenty years in the movie business etching sharp funnymen in pictures like Knocked Up and Step Brothers and compelling everymen in more serious outings like The Secret Life…
Read MoreIn the Beginning, Electronica: Sven Hansen-Løve and Félix de Givry Find, and Exit Eden in Personal Story of a Musical Life

What is the price of sleepwalking through your own life, as years pass, friends move on, other people grow up and plant roots—and you don’t? Filmmaker Mia Hansen-Løve’s Eden is at once an exhilarating illumination of youth culture and a serious examination of a…
Read MoreThe latest entry in the haunted family saga of otherworldly entities and vengeful spirits, Insidious: Chapter 3 is notable for one reason, and a good one—veteran character actress Lin Shaye as reticent medium Elise Rainier. If awards were given for performances in genre films—and…
Read MoreThe most imaginative and directorially accomplished movie of the year, Mad Max: Fury Road is a hell of a vision from director George Miller, 70 and at the peak of his powers, upending the action genre by delivering an antithetical, feminist war cry that…
Read MoreAging, Acting and Identity: International Filmmaker Olivier Assayas Ruminates on Celebrity, Self-Reflection in Haunting Clouds of Sils Maria

Olivier Assayas, the prolific French screenwriter, director and film critic whose movies include the stylish film-within-a-film Irma Vep (1996), the prophetic global business shocker Demonlover (2002), the bittersweet family drama Summer Hours (2008) and the large-scale Venezuelan terrorist thriller Carlos (2010), is nothing if…
Read MoreOliver Assays’ Clouds of Sils Maria is an opaque conceptual trip, a thematically dense exercise in self and industry reflections, a nod to both Fassbinder and Bergman and a showcase for its actresses, namely Juliette Binoche as an internationally renown actress undergoing an identity…
Read MoreThe creepy teen cyber thriller Unfriended is patently ludicrous and low-concept—six teens connected via video chat are stalked and dispatched by an Internet troll that turns out to be the vengeful ghost of their bullied best friend, who killed herself over their online taunting.…
Read MoreSmart, stylish and enthralling, the artificial intelligence thriller Ex Machina fires on all cylinders as a first-rate piece of science fiction, superbly written, performed and mounted as the debut feature from screenwriter and first-time director Alex Garland. As science fiction, it employs some hard…
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