The Bye-Bye Man

There isn’t a lot to say about The Bye-Bye Man, except that it capably fits into the early year dumping ground of movies in which studios have little faith, and cheaply made horror films that spring up to make a quick buck.  This entry, which…

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Silence

Martin Scorsese’s inflated spiritual opus Silence is as much of an endurance test for the audience as for its persecuted Jesuit priests in 17th Century feudal Japan, a contemplative picture so lacking in momentum that you may, at the end of 159 minutes, feel…

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Hidden Figures

There is nothing wrong with a feel-good movie that does its job well, and that is what you get with Hidden Figures, the inspiring new movie about the real heroes behind NASA’s space race that manages to be both smart and entertaining in its…

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Fences

Denzel Washington brings August Wilson’s celebrated Fences to the screen in a sum-of-its-parts movie adaptation both eloquent and long-winded, thematically expansive yet, at times, claustrophobic. Working from a screenplay completed by Wilson prior to his 2005 death, Washington takes a traditional, almost reverential approach—perhaps…

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Passengers

Spaced out stinker Passengers, which has been pushed hard by marketing its two big stars, is a confused and altogether empty fantasy that takes place on a huge ship careening through deep space.  Isolation, love, companionship, stalking—all enroute to a newly inhabitable planet?  Why…

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La La Land

A dazzling achievement in technique and emotion cementing the status of visionary young director Damien Chazelle as a modern auteur, La La Land is the most accomplished movie of 2016 and perhaps the most enjoyable, a musical throwback about Los Angeles dreamers pursuing art…

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Rogue One: A Star Wars Story

Everything old is old again in Rogue One: A Star Wars Story, the first “spinoff” installment from the beloved franchise and one that is largely unmemorable—save a terrific final act—and so slavish to its alignment with the mythology of that famous faraway galaxy it…

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