First Man

Damien Chazelle’s First Man presents a vision of the space race, and the men and women swept up in it, as an intensely personal yet, at times, magisterial in scope and ambition. An epic of sorts, it’s a film of both intimate and large…

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A Star is Born

A tale as old as time—or at least Hollywood—receives an electrifying new update in Bradley Cooper’s rousing A Star is Born, as vividly rendered, romantic and affecting a Hollywood picture as we’ve seen in ages. It may also be the best version of a…

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Colette

Handsome, historical, breezily progressive and featuring a radiant Keira Knightley, Colette is a meditation of the spirit of an artist—here a turn of the 20th century proto-feminist and erotic fiction novelist—out of her time. In a period picture with a notable contemporary relevance, Knightley…

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Mamma Mia! Here We Go Again

Mamma Mia: Here We Go Again, an unexpected good time sequel, takes some time to settle into—the songs aren’t quite as good as the first go-round and there’s patent silliness in nearly every frame—but the anything-to-please eagerness, informing every production number, one-liner and candy…

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Leave No Trace

Debra Granik’s heartbreaker Leave No Trace is an unorthodox father-daughter story about family, adolescence and community, emotionally potent all the way and with a lot of compassion for the values of rural folks and those who choose to live off-the-grid. It is also a…

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Boundaries

A terrific Vera Farmiga and Christopher Plummer drive the family road movie Boundaries, about a hard-won reconciliation between a father and daughter who, try as they might, have never been able to make their relationship work. Written and directed by Shana Feste, it’s a…

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Hereditary

Hereditary, about a troubled family coming apart after a tragedy leads to an intrusion of the supernatural, is among the best, and rarest, kinds of scary movies, both a thoroughly observed examination of personal and human dynamics and diabolical descent into a place so…

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