Cats

Whatever one might say about Tom Hooper’s inexplicable new movie adaptation of Andrew Lloyd Webber’s “longest running Broadway musical” and 7-time Tony winner Cats—and there will be much said—it’s an undeniable vision. A misguided one, sure, but who honestly thought this was a good…

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Knives Out

The whodunnit may be an all-but-vanished American film genre, but Rian Johnson’s sensationally entertaining Knives Out serves as an affectionate revival. An exceedingly clever, highly skilled exercise in, well, fun, it would take a real grinch to poo-poo it. And why would anyone want…

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Marriage Story

What a sad, rich movie Noah Baumbach has fashioned with Marriage Story, about a New York theater director and actress who call it quits after their personal and creative partnership has run its course. A semi-autobiographical, remarkably perceptive picture about the emotional spoils of…

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The Irishman

If Martin Scorsese never makes another mob picture (at least in the formal sense), his new magnum opus, The Irishman, might possibly be the final movie word on the subject. Certainly amongst the finest in an oeuvre that includes masterworks like Goodfellas and The…

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Doctor Sleep

I suppose those longing for nostalgia might take a shine, if you’ll pardon the pun, to Doctor Sleep, the new movie sequel to The Shining, which spins a triptych of tales that converge in an expected, and unsatisfying, fan service climax. But for most, I suspect,…

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Parasite

Everything you’ve heard about the Cannes-celebrated Parasite, or perhaps more pointedly, Scenes from the Class Struggle in Seoul, is tenfold true. A savage, toothy satire about social class, or more specifically, about the resourcefulness and eventual uprising of the underclass, it’s a picture that…

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Luce

The mysteries at the center of the tense drama Luce are really, you might say, for right now. Telling the story of a model perfect teen in an affluent Virginia suburb who is valedictorian, star athlete and pride of his family, teachers and community—and…

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