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ChicagoFilm

Monthly archive

June 2024

Reviews

A Quiet Place: Day One— Lupita Nyong’o is Sensational in Familiar Prequel

by Lee Shoquist
June 28, 2024

Familiarity proves a slight problem for A Quiet Place: Day One, an origin story preceding the first two hit films and depicting the arrival of the deadly alien race bent on decimating humanity. The problem this time is mainly one of sameness—here we have…

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Reviews

Kinds of Kindness: A Maximalist Marathon of Power and Control (It’s Also Very Funny)

by Lee Shoquist
June 27, 2024

You have to hand it to Yorgos Lanthimos. After taking the Oscar season by storm with his ribald liberation saga Poor Things, the celebrated writer-director has returned to his anarchic origins with the misanthropic Kinds of Kindness, a marathon of twisted deadpan and gleeful…

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Reviews

Daddio: A New York Cabbie and His Fare Take a Detour Through Psychoanalysis

by Lee Shoquist
June 26, 2024

A taxi driver and his passenger unexpectedly bond in writer-director Christy Hall’s Daddio, starring Sean Penn and Dakota Johnson on an extended trip from JFK to Midtown, one yielding plenty of talk and transformation. It’s a two-character “small” picture with a few bigger ideas…

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Features

“Extraordinary, Masculine, Free”: Filmmaker Jeff Nichols on Identity of The Bikeriders

by Lee Shoquist
June 24, 2024

Jeff Nichols’ new film The Bikeriders charts the birth and rise of a fictional 1960s-era Chicago motorcycle club named the Vandals, as seen through the eyes of three compelling actors: Tom Hardy as the gang’s founder and leader, Austin Butler as his young protégé…

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Reviews

Running on Empty: The Bikeriders Trades Story for Style

by Lee Shoquist
June 21, 2024

Jeff Nichols’ The Bikeriders, a thundering paen to the birth of American motorcycle culture, is high-gear style and attitude eclipsing a story stuck in neutral. Inspired by Danny Lyon’s 1968 photography book of the same title—which chronicled the circa 60s Chicago exploits of biker…

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Reviews

Be All You Can Be: Light Touch Identity Comedy Hit Man Prizes Romance, Humor Over Action

by Lee Shoquist
June 12, 2024

The construct of identity—things we believe ourselves to be, limiting notions of what we could become and the potential for self-evolution—power Richard Linklater’s Hit Man, a feather-light comedy about a mild-mannered college professor who moonlights as a phony hit man, only to fall hard…

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About Me

Lee Shoquist is a film critic and member of the Chicago Film Critics Association and leads over 20 monthly film discussion groups with more than three hundred, multi-generational attendees across the Chicago area and periodically in New York and Los Angeles. Learn more or contact Lee.

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