Could Steven Spielberg’s semi-autobiographical The Fabelmans, about the artistic birth of and influences on perhaps the most populist American film director of all time, clinch the Best Picture Oscar come next March? Current thinking is that the picture, and its popular director, are well…
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Luca Guadagnino’s spellbinding Bones and All, a tender, terrifying young love story between—bear with me—a pair of cannibal paramours, is deeply sensitive and shocking in the extreme. That proves quite a combo in a film Guadagnino has delivered with a most original mash-up of…
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As a wickedly funny sendup of haute cuisine, celebrity chefs and foodie culture, the slickly entertaining The Menu is an enjoyable takedown of pretentious restauranteurs and their willing, wealthy patrons—and a clever horror satire that doesn’t miss a beat, or more appropriately, a course.…
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Filmmaker Elegance Bratton delivers a distinctive, compelling film from a formative life chapter, and one offering no easy resolutions.…
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I recently caught up with Elegance Bratton and Anna Diop to deconstruct their new projects: The Inspection and Nanny could not be more removed in subject matter and approach, yet each provokes us to consider who we are and how we fit into our…
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As adolescents, how well can we ever really know our parents or their personal circumstances? Filmmaker Charlotte Wells charts exquisite father-daughter chapter in understated coming-of-age drama.…
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Gray, who shares a formative chapter in the film that depicts a loss of innocence—here about the way the world works for those who have, and do not have, privilege—has made his most personal and perhaps most accessible film.…
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In a short-term memory industry where five actresses each year (usually from late breaking films released in the closing months) claim the lion’s share of critics and industry plaudits, let’s take a look at five of this year’s best who are currently in danger…
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