Dune

Dune is a gargantuan physical production that builds its worlds, slowly and meticulously, but never offers a reason for us to care.…

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Roy’s World: Barry Gifford’s Chicago

As an excavation of a place, time and a personal history, Roy’s World: Barry Gifford’s Chicago deconstructs Chicago poet and novelist Barry Gifford in an original movie portrait of the artist as a young man, told in a variety of forms, against a backdrop…

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Halloween Kills

As Roger Ebert frequently asserted, the first and most important question to ask of a film is what its makers intended, and the second is how well they executed upon said intentions. This, of course, does not allow for questioning whether what was intended/executed…

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Lamb

The pastoral Icelandic countryside proves a superbly eerie milieu for Vladimir Johansson’s slow-burn arthouse thriller Lamb, one of the strangest, riskiest movies in recent memory.…

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No Time to Die

No Time to Die is a smashing piece of entertainment, a movie so much fun to watch—extravagant in the usual James Bond ways that provide immeasurable movie comfort—and such a generous swan song for star Daniel Craig that you’d have to be a bitterly…

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