The Father

The masterstroke of the dementia drama The Father, co-adapted by director and playwright Florian Zeller and the great Christopher Hampton, is one of perspective. A byzantine puzzle about an octogenarian in mental decline, it puts us directly in senility’s way courtesy of a sterling…

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The Mauritanian

According to a recent New York Times calculation, the per prisoner cost of Guantanamo Bay detention is approximately $13 million—a hefty sum for the thirty-nine existing detainees from more than fifty nationalities, the majority from the Middle East. And while the debate over closing…

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French Exit

The primary reason (perhaps the only one) to see French Exit is a glorious Michelle Pfeiffer, one of the few remaining great American movie stars, in an ace performance that sustains a sometimes too precious picture that is an altogether mixed bag. Picture opens…

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Land

A portrait of grief rendered in a minor key, Robin Wright’s directorial debut Land, in which the actress turned director also stars, is a spare picture that works on the basis of two strong performances and beautiful cinematography in the wilds of Wyoming. It…

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