ChicagoFilm https://validator.w3.org/feed/docs/rss2.html 0 Protected: Zoom and production notes After the Hunt: Campus Culture Wars Smother Characters in Contrived Movie Lecture About Dreams: An Obsessed Jessica Chastain Powers Michel Franco’s Scathing Critique Power and Longing in Offbeat Dom-Sub Tale Pillion Harry Lighton and Harry Melling on the Power, Mystery and Intimacy of Pillion From Movie Palaces to Political Thrillers: The Secret Agent Filmmaker Kleber Mendonça Filho on Cinema, Truth and Why Reality Shapes His Films Red Crescent and Red Tape in a War Zone: Witnessing The Voice of Hind Rajab Bodies in Motion, Faith in Song: Mona Fastvold on Audacious Shaker Epic The Testament of Ann Lee Marty Supreme: Timothee Chalamet Aces Josh Safdie’s Full Tilt Hustle In Avatar: Fire and Ash, James Cameron’s Maximalist Vision Reaches Thrilling Apex Hamnet: Jessie Buckley Mesmeric as Tragic Shakespeare Elegy is Transformed into Art Unpacking Rental Family with Hikari: When Performance and Reality Blur, Pretending Becomes Profound Train Dreams: Life, Labor and the Human Heart in the Wild Unburying the Past: Impossible Choices in Cannes Winner It Was Just an Accident “I’ve Never Met a Hero or a Villain”: Derek Cianfrance on Winning Roofman’s Real-Life Tale of Love, Crime Trapped in a Web of Artifice: Kiss of the Spider Woman The Smashing Machine Doesn’t Land the Knockout Twinless: A Darkly Funny and Unsettling Take on Loneliness and Need The Baltimorons: Jay Duplass’ Winning Odd Couple Comedy Has Heart and Soul Love Meets Weight of World in Bing Liu’s Tender Preparation for the Next Life Bing Liu on Preparation for the Next Life, a Story of Love and Survival on the Edge Caught Stealing: Austin Butler’s Star Power Shines in Darren Aronofsky’s Entertaining Streetwise Caper The Naked Gun: Reloaded, But This Time Shooting (Mostly) Blanks Re-Animator in 4K-UHD: Ignite Films Outdoes Itself with Definitive Collector’s Blu-ray of Horror Classic Hook, Line and (Mostly) Sinker: Nostalgia is a Killer in I Know What You Did Last Summer Reboot Once Upon a Time in America: In Eddington, Ari Aster Confronts Fractured Nation A Father and Daughter on the Run: Nick Rowland and Taron Egerton on Brutal Tenderness of She Rides Shotgun “I live in a state of dread”: Ari Aster on Eddington, His Provocative Theater of American Collapse After the Very Bad Thing: Sorry, Baby Finds Grace in the Quietly Powerful Eva Victor All Revved Up, Nowhere to Go: Brad Pitt’s F1 Races Fast Cars Against Flat Script Celine Song’s MATERIALISTS: A Matchmaker’s Dilemma Makes for Rumination on Love, Risk and What We’re Worth From Swan Lake to Scorched Earth: Ana de Armas Brings Ballerina B-Movie Fun Suffer the Children: Vicious Bring Her Back is Horror That Hurts Cringe, Meet Pathos: How to Lose a Guy in One Unhinged Friendship Mission: Overexplained (but Still Kinda Awesome): More Story, Less Spectacle Fuel Latest Tom Cruise Spycraft Thriller Death’s Design: Same as Ever in Final Destination: Bloodlines All the Things They Can’t Say: The Quiet Longing of Tender On Swift Horses Devils in the Delta: Ryan Coogler’s Sinners a Sensational, Social Horror Tale of Vampires and Vengeance The Alto Knights: DeNiro’s One-Man Show in a Forgettable Crime Saga A Soldier’s Story: Immersive Warfare a Heat-Seeking Missile, Locked on the Audience Facing the Fire: In Warfare, Alex Garland and Ray Mendoza Recount Terror, Survival of Iraqi Ambush In Magazine Dreams, Jonathan Majors Delivers Knockout Portrait of Bravado, Pain as Bodybuilder in Crisis Heart Eyes: Banal Romantic Comedy Interrupted by Slasher The Monkey: Slaughter over Substance in Scare-Free Stephen King Adaptation Die Another Day: Bong Joon-ho’s Mickey 17 is a Clever, and Exhausting, Capitalist Take-Down Spy Game: Black Bag is Smart, Sophisticated, Satisfying Civil War: Journalists in the Crossfire of Alex Garland’s Curiously Vague Provocation In The Last Showgirl, Pamela Anderson Faces Gritty Melancholy of Fading Las Vegas I’m Still Here: A Brazilian Family Under Political Persecution in Walter Salles’ Moving Drama